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Pro Tools for Music Production, Second Edition: Recording, Editing and Mixing

Posted on: August 26, 2010
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Download eBook – Pro Tools for Music Production, Second Edition: Recording, Editing and Mixing

Pro Tools for Music Production, Second Edition: Recording, Editing and Mixing
Publisher: Focal Press | Pages: 400 | 2004-08-14 | ISBN 0240519434 | PDF | 12 MB

Pro Tools for Music Production is a fantastic music production guide for both new and professional users. The book is illustrated in great detail with colours and has excellent tips/hints that would save a lot of time in the Music creation process. It would serve as a great source of information for all your Music Production needs.

The book deals with detailed chapters on recording, editing and mixing. There are also some tutorials and practical examples from actual recordings.

Download from one of the links below :-
Depositfile : http://depositfiles.com/files/lmkoi3trr
Hotfile : http://hotfile.com/dl/64173558/7886b6b/0240519434.rar.html
Filefactory : http://www.filefactory.com/file/2aff59/n/0240519434_rar
Rapidshare :http://rapidshare.com/files/142421901/0240519434.rar

End Credit Theme Music Composition on Reason 4

Posted on: May 7, 2010
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End Credit Theme Music Composition on Reason 4

Composed & Arranged by : Swamay aka Kitcha

Instruments used : Bass, Pads, Strings, Brass

Program used : Reason 4

When it comes to Theme Music, I’m a huge huge fan of John Williams and Hans zimmer. I don’t know how many times I would have heard the theme music of Jurassic Park, ET, Gladiator, Schindlers list, Star wars, The Lion King, Sherlock Holmes etc., I think they have also inspired directors like Spielberg, James cameroon to conceive visuals for Theme music in most of their movies. Truly, their music has always been Classical, Royal and Theatrical.

So here is just a small tune that came to my mind and I tried to arrange it in a way that it would sound like a theme and theatrical . Think like this theme music comes during the end credits of a movie, where a huge ship is shown sailing in a big ocean from a top wide angle shot . haha Well, the imagination is up to you but I only hope you would like it .

Please do pass on your comments folks. Thanks.

iPhone Music Creation App Review – Intua’s Beatmaker

Posted on: April 16, 2010
2 comments so far (is that a lot?)

When iPod struck the market, it was a reveleation. As every home carried a TV and a computer, it was the same with iPod. It was such a blessing and disguise to the music lovers all over the world. Now with iPhones, apple has gone a step ahead and it has grown up to almost close enough to be called a mini pc. Now you can download apps of every single category you can think, buy music from iTunes and what not. But still, there was not really an app that satisfied the creators of Music. Well, not any more. There are already a few apps that are available through the app store that allows you to create music but the one i’m going to discuss here is a monster of an app. Yes, Beatmaker from Intua is a complete Music creation software that allows you to sample, record, mix, loop and what not. It is as good as a modern day desktop DAW application in the market. Of course with such a small device capable of doing this is simply majical. Music makers will love to take advantage of this mind blowing iPhone app for sure. Not to forget, all of this is done from
an affordable price of $19.99.

Now, check out all the features available from Intua’s BeatMaker.

BeatMaker stands out from the rest of the music creation applications. It is not for an amateur or a fun to play around with kind of product. It is actually a portable Music Production Center (MPC) right on your iPhone, with drum kits, sequencer and sampler features that you would find only in a desktop based DAW or MPC platform.

Click here to check out the complete User Manual of BeatMaker from Intua.

When you install BeatMaker app, it already provides you with several high quality sample sound banks from featured artists to get you started. Well, you can also create your own sample kits/banks and transfer them onto iPhone using their free BeatPack desktop application, which is available for both Mac OS X and Windows XP/Vista. All of these sample banks can be loaded directly into the application, and can be played back on a 16-pad screen layout. Plus it also allows up to five pads to be triggered simultaneously. That is simply awesome. I’ve tried that myself on my iPhone. It’s terrific and feels like playing on a physical drum machine .

Customization is also possible in the pad view. It allows you to adjust the pitch, volume, output channel and even start and stop points for every sample. A graphical waveform is also provided to assist with adjusting the start and stop points. Samples can also be chopped, scaled, muted or set to be played back in reverse. New samples can also be loaded from individual WAV/AIFF files either from the included BeatMaker kits or transferred from your computer using the free BeatPack companion application. MIND BLOWING !!! I think there is no better way to make music. You can now compose, arrange and make music from the train. Waalah !! What a technology surge this is.

From the pad screen, you can either simply play your sound bank live in real time, or record a pattern directly from the pad screen by selecting the record option and tapping on the iPhone screen to play back samples from each pad. BeatMaker also provides a song sequencer screen to lay out and place your triggering patterns along a graphical timeline, and a step sequencer to graphically adjust and the triggers for each sample track. It supports 16 samples per pattern, and an unlimited number of patterns within the song sequencer.

Within the step sequencer, screens are also provided for adjusting the velocity (or volume) of each pattern on a per-step basis, as well as a groove editor to allow more “humanization” of the patterns by setting earlier or delayed pattern triggers for each step.

BeatMaker also provides the ability to assign each pad to effects channel. Channels include a main (“dry”) channel which has no effects, and two independent FX channels that both include Bit-Crusher, 3-Band EQ and Synchronized Delay effects.

Your sequences and sound bank settings can be saved and retrieved, or even transferred to your desktop computer using the free companion BeatPack app from Intua. once you are done laying out the tracks, you can export them to either WAV format for playback or export to MIDI for further processing in a desktop music production application such as Pro Tools, Cubase or Logic Express/Pro etc.,

BeatMaker takes up about close to 180MB on your iPhone even before you start creating new stuff like samples and tracks on it. Of course it is a very large application but its good that it is large. Only a bigger product will carry the best features and this being a Music production software, it is totally worth to give your iPhone space for it.

With all that is said above, BeatMaker is easily the most sophisticated iPhone music application, offering a full-featured electronic music creation platform. I know it costs $20 but i’m sure that every single penny is worth, considering all its features in a tiny sized device such as an iPhone or iPad.

Enjoy your Music from Beatmaker and please do share your Music if you’ve made from it .

Download Propellerhead’s Record

Posted on: April 13, 2010
3 comments so far (is that a lot?)

Here is one of the massive product from Propellerhead called Record. Record is a spectacular product and is a true all-in-one recording solution that will cover a wide spectrum of users of varying skill levels. Its creative design that target many areas (recording, mixing, mastering) of music production will certainly give it an edge, in a field that is already bombarded with choices.

Talk about Record with Reason 4 integration, you may see people moving from other DAWs to this very soon. Waalah, Music production has never been so easy. Don’t wait !!! Download Propellerhead’s Record for free and bring out all your dreams to make music from home studio to reality.

Download Propellerhead’s Record from the rapidshare links below :-

Note : Password to unrar the files : vstclub

http://rapidshare.com/files/234722675/Record_Beta2.part1.rar
http://rapidshare.com/files/234732559/Record_Beta2.part2.rar
http://rapidshare.com/files/234743858/Record_Beta2.part3.rar
http://rapidshare.com/files/234754254/Record_Beta2.part4.rar

Note : Password to unrar the files : vstclub

Download Electronic Musician Magazine Jan 2010 ebook

Posted on: April 12, 2010
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Download Free Electronic Musician Magazine Jan 2010 ebook – PDF – 77 pages.

Electronic Musician is the #1 magazine in the U.S. for musicians who want to record and produce music from the comfort of their home studio. Electronic Musician monthly issues focuses on music-production technology for musicians. It includes coverage of recording, mixing, mastering, live performances, electronic musical instruments, and music production hardware and software.

Electronic Musician’s 20-year commitment to editorial excellence has provided the leading source of information for musicians who record at home. With a total circulation of 61,102, Electronic Musician delivers more qualified customers than any other consumer music technology publication.

Now enjoy your free download of Electronic Musician Magazine Jan 2010 ebook, from the links below :-
Rapidshare

HotFile

Pls do subscribe to my site for free Home Studio technology ebooks and Home Music Production tips, tutorials and videos.

Free Download Reason 4

Posted on: April 7, 2010
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Reason 4

Downlaod Reason 4 for free. Reason 4 from Propellerhead Software can best be described as an infinitely expandable studio – a native-based set of virtual devices that include synthesizers, sampler, drum machine, effects and a pattern sequencer. In short, the software acts as an expandable, all-in-one music production environment.

Each unit in the virtual rack is edited from its own front panel and multiple instances of all the modules can be opened, limited only by the host computer’s processing capacity. Choosing an item from the “Create” menu places the module in the rack, logically patched into the signal chain. A single key-press will turn Reason’s rack around to reveal patch points for every port on every module, allowing the user to make custom patch configurations.

New in version 4 is “thor”, a multi-synthesis synthesizer with six oscillator types, four different filters, a step sequencer and a modulation matrix. RPG-8 is a monophonic arpeggiator with multiple play modes, an insert function and a pattern section. The addition of a 32-channel groove mixer allows users to affect the feel and timing of loops, which are output to the sequencer, which itself has been enhanced with multiple track lanes, vector automation, dedicated device tracks, clips, count-in and more.

The software can function either stand-alone, or as a ReWire application. Full Integration with other manufacturer’s audio software via ReWire allows audio from Reason to be output to an external software workstation, for further processing and/or mixing with other audio tracks. When the overall project is ready to be saved, the whole studio setup is stored along with the music, including the associated sounds, samples, loops and drum kits.
Key Features:
* Virtual studio complete with virtual synthesizers, samplers, drum machine, pattern sequencers and effects
* Native performance, no special hardware needed
* Virtual mixer and patching system for any number of modules with endless routings possible
* Creates as many of each device as the host computer can handle
* Version 4 adds “thor”, a multi-synthesis synthesizer, the RPG-8 monophonic arpeggiator and a 32-channel groove mixer
* Full automation of all fader and control movements – infinite patching and routing possibilities
* Smooth, seamless, out-of-the-box communication with external MIDI controllers and hardware control surfaces
* The preset mappings link the controller’s knobs, buttons and faders to the parameters within Reason’s devices, providing instant, tactile control over any function in any Reason unit
* Browser allows for free-text searching of the entire library, “preview-playing” of sounds directly from the browser and increases the efficiency of patch management. The task of finding and loading sounds and patches is smooth and intuitive.
* Full synchronization with other MIDI equipment
* Audio export via ReWire to other audio software that supports the ReWire protocol
* Customizable editors for all devices
* Devices can be folded away to save screen space

LINKS:

Download Free Reason 4 Refills – PinkNoise Analogue Monsters 10

Posted on: April 7, 2010
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PinkNoise Analogue Monsters 10 Refills

Download free the Reason 4 Refills for Analogue Monster volume X is the final commercial version of the Analogue Monsters project. It offers 8 times more samples (in 24 bit quality) as the free versions contain altogether.

Analogue Monsters project is purely authentic for its analogue sounds. All the sounds are recorded from real analogue synthesizers.

The reason 4 refill contains best sounds of nine legendary analogue synthesizers:
- Korg Poly800 MKII
- Roland Jupiter 4
- Korg MS-20
- Waldorf Microwave XT
- Moog Prodigy
- Roland Juno-60
- Korg MonoPoly
- Studio Electronics SE-1X
- Alesis Andromeda A6

All the famous analogue synths have been sampled for these refills. Irrespective of the music you are involved in (like drum’n'bass, electronica, trance, hip-hop, rock, pop etc.,), having Analogue Monster Reason Refills is going to blow you away.

Following are all the links available for you to download PinkNoise Analogue Monsters 10 Refills.

ENJOY !!!! Please subscribe to my site for more free refills and for all the content related to music production from the home studio.

Composing and Making Beat Tracks Using Reason4 & Redrum

Posted on: March 23, 2010
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This is a rhythm track that I made with Reason 4 using the ReDrum device. ReDrum is an amazing program and the amount of beats and rhythm structures you can make is limitless.

Pls Subscribe to my site to know more about making Music from HomeStudio using Music Production softwares like Reason, Reason Refills, Native Instruments, Pro Tools DAW.

Propellerhead Reason 4 Keyboard Shortcuts

Posted on: September 18, 2009
1 comment so far

This is the Key commands list for Propellerhead Reason 4. The action is listed first and the commands are directly below them.

1 General Keyboard Shortcuts
2 General modifier keys
3 Sequencer Keyboard short-cuts
4 Sequencer modifier keys
5 Arrow keys
6 Transport keyboard short-cuts
7 Matrix keyboard short-cuts
8 Matrix modifier keys
- 8.1 Allows you to draw lines and ramps.
- 8.2 Temporarily toggles Tie mode on/off.
9 Redrum keyboard short-cuts
10 Redrum modifier keys
- 10.1 Enter Hard note when programming Pattern.
- 10.2 Enter Soft note when programming Pattern.
11 Dr. Rex modifier keys
- 11.1 Audition slice.
12 NN-19 modifier keys
- 12.1 Audition sample.
13 NN-XT keyboard short-cuts
- 13.1 Remove zone(s) from key map.
14 NN-XT modifier keys
- 14.1 Audition sample. In sample column, at root pitch and unprocessed. In keyboard column, at corresponding pitch and with processing applied.
- 14.2 Set root note of sample with edit focus.
15 Save dialog keyboard short-cuts
- 15.1 Mac OS keys
- 15.2 Windows keys

General Keyboard Shortcuts

Toggle Rack front/rear

Tab

Maximize/restore Rack

[Command]/[Ctrl]+[1]

Maximize/restore Sequencer

[Command]/[Ctrl]+[2]

Create new Song

[Command]/[Ctrl]+[N]

Open Song

[Command]/[Ctrl]+[O]

Save Song

[Command]/[Ctrl]+[S]

Save Song As

[Shift]-[Command]/[Shift]- [Ctrl]+[S]

Close Song

[Command]/[Ctrl]+[W]

Quit

[Command]/[Ctrl]+[Q]

Undo

[Command]/[Ctrl]+[Z]

Redo

[Command]/[Ctrl]+[Y]

Delete Devices and Tracks (without warning).

[Command]/[Ctrl]+[Del] or [Command]/[Ctrl]+[Backspace]

Delete Devices and Tracks

[Del] / [Backspace]

Select All

[Command]/[Ctrl]+[A]

Create Instrument

[Command]/[Ctrl]+[I]

Create Effect

[Command]/[Ctrl]+[F]

Browse Patches for selected device.

[Command]/[Ctrl]+[B]

Select rack when rack and sequencer are sepa-rated.

[Command]/[Ctrl]+[1]

Select sequencer when rack and sequencer are separated.

[Command]/[Ctrl]+[2]

Show/Hide cables

[L]

Follow Song on/off

[F]

Show/hide Tool window

[F8]

Insert Instrument (Windows only)

[Insert]

Hide Reason (Mac OS only)

[Command]-[H]

Minimize Reason (Mac OS only)

[Command]-[M]

Open Preferences (Mac OS only)

[Command]-[,]

Cut Track & Device (device or track selected), Cut Clip or Event (depending on current selection).

[Command]/[Ctrl]+[X]

Copy Track & Device (device or track selected), Copy Clip or Event (dependng on current selec-tion).

[Command]/[Ctrl]+[C]

Paste Track & Device, Paste Clip or Event.

[Command]/[Ctrl]+[V]

General modifier keys

Disable autorouting of device.

[Shift]+Create device

Fold/unfold all devices.

[Option]/[Alt]+Fold/un-fold device

Fold/unfold all tracks.

[Option]/[Alt]+Fold/un-fold track

Select multiple devices/events/clips/tracks.

[Shift]+Select

Increase precision when making settings.

[Shift]+Move fader/knob
[Command]/[Ctrl]+Click
fader/knob
[Option]/[Alt]+Create de-
vice

Reset parameter to default value.

[Command]/[Ctrl]+Click fader/knob

Prevent creation of Sequencer-track for devices that normally will get a track. Create Sequencer-track for devices that normally will not get a track.

[Option]/[Alt]+Create de-vice

Sequencer Keyboard short-cuts

Toggle Arrange/Edit view.

[Shift]+[Tab] or
[Command]/[Ctrl]+[E]

Toggle Arrow/Pencil tool, Eraser/Pencil tool. Toggle Magnifying Glass/Hand tool.

[Command]/[Alt]

Select Arrow tool.

[Q]

Select Pencil tool.

[W]

Select Eraser tool.

[E]

Select Razor tool.

[R]

Select Magnifying Glass tool.

[T]

Select Hand tool.

[Y]

Quantize notes.

[Command]/[Ctrl]+[K]

Duplicate Track & Device (device or track selected). Join Clips.

[Command]/[Ctrl]+[D]

Merge Note Lanes om Tracks.

[Command]/[Ctrl]+[J]

Mute/Unmute Clips.

[Command]/[Ctrl]+[R]

Snap on/off.

[M]

Toggle Pencil/Line tool (velocity edit lane only).

[S]

New Alt

[Option]/[Ctrl] Numberpad [6] or [.]

New Dub

Numberpad [3] or [,]

Vertical zoom in

[Shift]-[Command]/[Shift]
[Ctrl]+[+]

Vertical zoom out

[Shift]-[Command]/[Shift]
[Ctrl]+[–]

Sequencer modifier keys

Create automation lane for parameter. If device has no track, a track will also be created.

[Option]/[Alt]+Click knob/fader/button

Restrict movement direction to either horizontal or vertical.

[Shift]+Move events/clips

Copy data instead of moving it.

[Option]/[Ctrl]+Move data

Set Left Locator in ruler.

[Option]/[Ctrl]+Click

Set Right Locator in ruler.

[Command]/[Alt]+Click

Set End Marker in ruler.

[Shift]+Click

Switch to zoom out with the Magnifying Glass tool in-stead of zoom in (with either the Magnifying Glass-or the Hand tool selected).

[Option]/[Ctrl]+Click

Limits movement to one direction only. Horizontal or vertical.

[Shift]+Drag with Hand
tool or Eraser tool

Disables vertical zooming. Horizontal zoom only.

[Shift]+Zoom with
Magnifying Glass tool

Arrow keys

Select next device up or down (rack selected), select next track up or down (track list selected), select clip on next/previous lane (Arrange view selected).

Arrow up/down keys

Select next/previous clip on lane (Arrange view se-lected), select next/previous value field (Position dis- plays).

Arrow left/right keys

Nudge selection one Snap unit back/forward.

[Command]/[Ctrl]+Arr left/right keys

Nudge selection one Beat back/forward.

[Shift]-[Command]/[Shift] [Ctrl]+Arrow left/right
keys

Nudge selection one Tick back/forward.

[Option]-[Command]/[Alt]-[Ctrl]+Arrow left/right keys

Transport keyboard short-cuts

Stop, Go to start position, Go to start of Song.

Numberpad [0]

Play

Numberpad [Enter]

Record

Numberpad [*]

Rewind

Numberpad [Num Lock]

Go to Loop Start

Numberpad [1]

Go to Loop End

Numberpad [2]

Go to Next Bar/Fast Forward

Numberpad [8]

Go to Previous Bar/Rewind

Numberpad [7]

Tempo Up

Numberpad [+]

Tempo Down

Numberpad [-]

Stop/Play

[Spacebar]

Toggle Metronome click on/off

[C] or Numberpad [9]

Loop on/off

Numberpad [/]

Matrix keyboard short-cuts

Cut Pattern.

[Command]/[Ctrl]+[X]

Copy Pattern.

[Command]/[Ctrl]+[C]

Paste Pattern.

[Command]/[Ctrl]+[V]

Shift Pattern Left.

[Command]/[Ctrl]+[J]

Shift Pattern Right.

[Command]/[Ctrl]+[K]

Shift Pattern Up.

[Shift]-[Command]/[Shift]-[Ctrl]+[U]

Shift Pattern Down.

[Shift]-[Command]/[Shift]-[Ctrl]+[D]

Randomize Pattern.

[Command]/[Ctrl]+[R]

Alter Pattern.

[Command]/[Ctrl]+[T]

Matrix modifier keys

Allows you to draw lines and ramps.

[Shift]+Draw Key/Curve values

Temporarily toggles Tie mode on/off.

[Shift]+Draw Gate

Redrum keyboard short-cuts

Cut Pattern.

[Command]/[Ctrl]+[X]

Copy Pattern.

[Command]/[Ctrl]+[C]

Paste pattern.

[Command]/[Ctrl]+[V]

Shift Pattern Left.

[Command]/[Ctrl]+[J]

Shift Pattern Right.

[Command]/[Ctrl]+[K]

Randomize Pattern.

[Command]/[Ctrl]+[R]

Alter Pattern.

[Command]/[Ctrl]+[T]

Redrum modifier keys

Enter Hard note when programming Pattern.

[Shift]+Click Pattern Step button

Enter Soft note when programming Pattern.

[Option]/[Alt]+Click Pattern Step button

Dr. Rex modifier keys

Audition slice.

[Option]/[Alt]+Click slice in overview

NN-19 modifier keys

Audition sample.

[Option]/[Alt]+Click in keyboard display

NN-XT keyboard short-cuts

Remove zone(s) from key map.

[Delete] or [Backspace]

NN-XT modifier keys

Audition sample. In sample column, at root pitch and unprocessed. In keyboard column, at corresponding pitch and with processing applied.

[Option]/[Alt]+Click in sample column or keyboard column

Set root note of sample with edit focus.

[Command]/[Ctrl]+Click in keyboard column

Save dialog keyboard short-cuts

These key commands can be used in the save dialog that appears if you close a
song document that contains unsaved changes:

Mac OS keys

Cancel.

[Command]+[.]

Yes (save song).

[Command]+[S]

No (do not save song).

[Command]+[D]

Windows keys

Cancel.

[Esc] or [C]

Yes (save song)

[Y]

No (do not save song).

[N]

How To Get Warmer, Richer and Fuller Vocals

Posted on: September 14, 2009
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Recording vocals and having it blend with the total mix is an art by itself. The following tricks can be used to get great “In your Face” Vocals.

1. Send your vocal tracks to two mono aux sends.

2. The first Aux send has an EQ with a high pass set around 6-8khz, and a compressor set with a low threshold and fast attack and release. Mix that back in with the vocal to add a bit of air.High frequencies are attenuated as they travel through the air much faster than lower frequencies, so anything you want to sound “in your face” needs extra high end.

3. The second Aux send is for a plate reverb with as many early reflections as possible. The idea here is to get the vocal to sound as wide as possible. You want to avoid a vocal that images to a single point. The vocal needs to be wide to sound close and clear. The thumb rule is, the wider it is, it sounds closer to the listener and skinny sounds are farther away.

4. Later, you can always adapt your vocals to add any special effects. Normally I use 3 reverbs (small, medium and long) and a plate verb for the vocals.

Have fun recording/mixing your vocals.

Contents

General Keyboard Shortcuts

Toggle Rack front/rear

Maximize/restore Rack

Maximize/restore Sequencer

Create new Song

Open Song

Save Song

Save Song As

Close Song

Quit

Undo

Redo

Delete Devices and Tracks (without warning).

Delete Devices and Tracks

Select All

Create Instrument

Create Effect

Browse Patches for selected device.

Select rack when rack and sequencer are sepa-rated.

Select sequencer when rack and sequencer are separated.

Show/Hide cables

Follow Song on/off

Show/hide Tool window

Insert Instrument (Windows only)

Hide Reason (Mac OS only)

Minimize Reason (Mac OS only)

Open Preferences (Mac OS only)

Cut Track & Device (device or track selected), Cut Clip or Event (depending on current selection).

Copy Track & Device (device or track selected), Copy Clip or Event (dependng on current selec-tion).

Paste Track & Device, Paste Clip or Event.

General modifier keys

Disable autorouting of device.

Fold/unfold all devices.

Fold/unfold all tracks.

Select multiple devices/events/clips/tracks.

Increase precision when making settings.

Reset parameter to default value.

Prevent creation of Sequencer-track for devices that normally will get a track. Create Sequencer-track for devices that normally will not get a track.

Sequencer Keyboard short-cuts

Toggle Arrange/Edit view.

Toggle Arrow/Pencil tool, Eraser/Pencil tool. Toggle Magnifying Glass/Hand tool.

Select Arrow tool.

Select Pencil tool.

Select Eraser tool.

Select Razor tool.

Select Magnifying Glass tool.

Select Hand tool.

Quantize notes.

Duplicate Track & Device (device or track selected). Join Clips.

Merge Note Lanes om Tracks.

Mute/Unmute Clips.

Snap on/off.

Toggle Pencil/Line tool (velocity edit lane only).

New Alt

New Dub

Vertical zoom in

Vertical zoom out

Sequencer modifier keys

Create automation lane for parameter. If device has no track, a track will also be created.

Restrict movement direction to either horizontal or vertical.

Copy data instead of moving it.

Set Left Locator in ruler.

Set Right Locator in ruler.

Set End Marker in ruler.

Switch to zoom out with the Magnifying Glass tool in-stead of zoom in (with either the Magnifying Glass-or the Hand tool selected).

Limits movement to one direction only. Horizontal or vertical.

Disables vertical zooming. Horizontal zoom only.

Arrow keys

Select next device up or down (rack selected), select next track up or down (track list selected), select clip on next/previous lane (Arrange view selected).

Select next/previous clip on lane (Arrange view se-lected), select next/previous value field (Position dis- plays).

Nudge selection one Snap unit back/forward.

Nudge selection one Beat back/forward.

Nudge selection one Tick back/forward.

Transport keyboard short-cuts

Stop, Go to start position, Go to start of Song.

Play

Record

Rewind

Go to Loop Start